Sunday, February 8, 2015

Kulat tambah dengan sesemut dan cendawan dalam blog

Baca tajuk pun dah tahu yang aku sesungguhnya mengarut tak tentu pasal. Maklumlah dah tahun 2015. Well banayk perubahan yang berlaku dalam masa beberapa tahun ni. Antaranya adalah bilangan jerawat atas muka yang kian bertambah. Mungkin sebab usia yang kian lanjut dan kegatalan yang kian miang. Hari tu pergi klinik Ban dan aku ada tanya doktor Ban tentang kondusi muka aku ni. Beliau cakap aku ni terlebih hormon lelaki. Sebab tu jerawat tumbuh banyak. What the f? Tapi mungkin ada betulnya jugak. Kalau ingat-ingat balik, aku ni agak kejantanan dari segi fizikalnya. Dari segi emosi pulak, hati keras macam batu. Tapi ramai jugak orang berjerawat banyak macam aku, adakah mereka jugak terlebih hormon lelaki? kah kah kah.  

Ok dah habis mengarut tentang keadaan muka aku yang aku rasa memang takkan baik, aku nak cakap pasal kerja pulak. By the time korang baca ni, aku dah tak kerja selama 8 bulan. Bagus kan? Duduk rumah mak makan free, tido 10 jam. Well, mungkin aku dah kecewa sangat dengan vacancy yang available dekat Malaysia ni. Sebab tu usaha nak cari kerja semakin merudum. Adeh, macam mana nak pergi oversea ni? Macam mana nak kahwin? Hari tu adalah 4 bulan aku kerja sales and marketing. Macam nak tercabut tulang kerjanya weh. Takde basic income dan payment on performance basis je. Mungkin bukan jodoh aku dengan kerja tu, so tak boleh bertahan lama. Anyway, pengalaman yang ditimba banyak walaupun hanya 4 bulan. Tapi itu cerita 8 bulan lepas. Aku dah lupa banyak. So tiada gunanya cerita ni.

Long story short, aku dah lama tak baca blog. Aku banyak tengok vlog. Sampai aku pun terpengaruh. Macam nak buat daily vlog tapi maklumlah, dengan tak kerja macam ni, nak beli equipment tak mampu. Angan-angan nak Mac Book sebab senang nak edit video. Berangan jelah dulu. Lagipun rasa macam bagus je nak post daily vlog. Siapa yang nak tengok kisah hidup yang membosankan ni?

Well harap korang baik-baik aje. Have fun okay.

Sunday, August 7, 2011

pembiakan kulat di blog

Blog yang kononnya penuh dengan informasi teater. tapi takde pun.malas nak update.
Itulah contoh orang yang kurang berjaya.
Mungkin kalau blog aku ni selembar kain, mungkin sudah ditumbuhi kulat.
alah kulat yang macam lekat dekat kain tuh.
betapa lama aku tak tengok dan cuci.ceh.

Anyway sebut pasal kulat, dalam bulan-bulan puasa ni sedap gak kalau buat gulai lemak kulat.
Bukan kulat yang kain tu ek.
Kulat hidup yang boleh dimakan tu.
Memang sedap. Aku tak tahu lah kalau kat negeri lain, tapi kat Pahang rasanya kebanyakkan orang tahu dan makan gulai kulat.
nanti aku bagitau macam mana nak buat.
sebab kalau sebut sekarang, perut secara automatik akan merengek macam bayi --"

Monday, March 7, 2011

Presentational & Representational


When we watch a presentation on stage, how do we understand what we are watching? This is an important question – it is the question that is at the centre of the action of representation: someone or something being depicted on stage. (Irwin:2010)

She stated that:

Presentation is-

  • the proffering or giving of something to someone, esp. in a formal ceremony.
  • the manner or style in which something is given, offered or displayed.
  • a formal introduction of someone.
  • a demonstration or display of a product or an idea.
  • an exhibition or theatrical performance.
Based on answers.yahoo.com
Presentational is-

Presentational
eliminates the 4th wall
monologues and soliloquies
frankly scenery
sometimes drops with furniture exposed
lights can be scenes
costumes may or may not be symbolic
sound may be abstract
house can be on sometimes

Representation is:
  • the action of speaking or acting of behalf of someone or the state of being represented.
  • the depiction or portrayal of someone or something in a picture, on stage or in a work of art.
  • the thing esp. a picture or a model that depicts a likeness of someone or something.
Based on answers.yahoo.com
Representational is-

Representational
realistic
4th wall
real walls, real doors, real stair cases
lights hidden and “motivated”
house is dark
period costumes

sound is often from life
dialogue is conversational

A Common Man’s Guide to Loving Woman (1999), designed by Victoria Wallace


Andorra (1980), designed by Robert Prévost


Ariadne auf Naxos (1977), designed by Josef Svoboda


A Midsummer Night’s Dream (1983), designed by David Ultz


Le Misanthrope (1981), designed by Robert Prévost

Stages


Sourses:

http://answer.yahoo.com

http://artsalive.ca/collections/imaginedspaces/index.php/en/learn-about/modes-of-representation

www.google.com/images

Monday, February 7, 2011

Genres of theatre

Natya

Indian classical dance is a relatively new umbrella term for various codified art forms rooted in Natya, the sacred Hindu musical theatre styles, whose theory can be traced back to the Natya Shastra of Bharata Muni (400 BC)



Nautanki

Nautanki (नौटंकी) is a famous folk theater and operatic drama form, popular in northern India especially in the states of Bihar and Uttar Pradesh . Before the advent of cinema in India, it was the most popular form of entertainment prevalent in these areas.


Pantomime

Pantomime (informally, panto), not to be confused with a mime artist, referring to a theatrical performer of mime, is a musical-comedy theatrical production traditionally found in the United Kingdom, Australia, Canada, Jamaica, South Africa, Japan, India, Ireland, Gibraltar and Malta, and is mostly performed during the Christmas and New Year season.

The telling of a story without words, by means of bodily movements, gestures, and facial expressions



Commedia dell’arte

A type of comedy developed in Italy in the 16th and 17th centuries and characterized by improvisation from a standard plot outline and the use of stock characters, often in traditional masks and costumes.

Italian : commedia, comedy + dell'arte, of the guild, professional (from arte, art, craft, guild).


From Oxford dictionary of dance :

Italian improvised comic theatre popular from the 16th to 18th centuries, whose stock characters, such as Harlequin and Columbine, are familiar to audiences all over Europe. The form, which from the start incorporated many dance-like elements such as acrobatics and pantomime, has provided the inspiration for many ballets, from Petipa's Les Millions de Harlequin (1900), to Fokine's Carnaval (1910), Massine's Pulcinella (1920), and Tetley's Pierrot lunaire (1962).





Physical theatre

Physical theatre is used to describe any mode of performance that pursues storytelling or drama through primarily and secondarily physical and mental means. There are several quite distinct but indistinct traditions of performance which all describe themselves using the term "physical theatre", which has led to a lot of confusion as to what the definition of physical theatre actually is.


sources:

www.answers.com

www.google.com/image